The Pahari Schools of Painting
NCERT Class 12 Fine Art Chapter 5: The Pahari Schools of Painting (Pages 67–84)
Summary of The Pahari Schools of Painting
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The Pahari Schools of Painting at a Glance
CBSE
Class 12
Fine Art
An Introduction to Indian Art Part - II
5
67–84
6 study resources
The Pahari Schools of Painting Summary
The Pahari Schools of Painting showcase a unique tradition rooted in the hilly regions of the western Himalayas, with towns like Basohli and Kangra serving as prominent centers. Emerging during the seventeenth century, the chapter focuses on the distinct styles that evolved in these areas, notably the flamboyant Basohli style and the more refined Kangra style. Each school and its paintings present individual characteristics despite the lack of clear territorial classifications. The Basohli School is known for its bold colors and intricate details that reflect a lively depiction of legends and daily life. The Guler School builds upon this, as artists like Pandit Seu and his sons Manak and Nainsukh refine the style further, leading to the Kangra School's more poetic and lyrical approach. This shift embodies a deep engagement with naturalism and emotional expression. Scholars debate the origins of the Pahari painting style, suggesting influences from Mughal and Rajasthani art. The chapter highlights the importance of family lineage in shaping these styles, particularly pointing out the impact of the Seu family. Understanding the artistic process and varying methodologies provides insight into how techniques and themes transformed over time. Iconography in Pahari paintings often includes mythological tales, particularly scenes from the Bhagvata Purana and Gita Govinda, emphasizing themes of love, nature, and human emotions. The depiction of nature is prevalent and presents a harmonious blend with divine figures, reflecting the cultural and spiritual essence of the region. Overall, the Pahari Schools of Painting illustrate a rich historical narrative, marked by artistic innovation and a lasting legacy within Indian art.
